4.1 Article

Perceiving musical individuality: Performer identification is dependent on performer expertise and expressiveness, but not on listener expertise

Related references

Note: Only part of the references are listed.
Article Psychology

Exposure Influences Expressive Timing Judgments in Music

Henkjan Honing et al.

JOURNAL OF EXPERIMENTAL PSYCHOLOGY-HUMAN PERCEPTION AND PERFORMANCE (2009)

Review Neurosciences

Auditory recognition expertise and domain specificity

Jean-Pierre Chartrand et al.

BRAIN RESEARCH (2008)

Article Multidisciplinary Sciences

Face perception in monkeys reared with no exposure to faces

Yoichi Sugita

PROCEEDINGS OF THE NATIONAL ACADEMY OF SCIENCES OF THE UNITED STATES OF AMERICA (2008)

Article Behavioral Sciences

The first time ever I saw your face

James C. Thompson et al.

TRENDS IN COGNITIVE SCIENCES (2008)

Article Acoustics

On the perception of similarity among talkers

Robert E. Remez et al.

JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA (2007)

Article Ophthalmology

Some robust higher-level percepts for music

Roger Watt et al.

PERCEPTION (2007)

Article Biochemistry & Molecular Biology

Congruent embodied representations for visually presented actions and linguistic phrases describing actions

Lisa Aziz-Zadeh et al.

CURRENT BIOLOGY (2006)

Article Music

Temporal information processing in musicians and nonmusicians

Thomas Rammsayer et al.

MUSIC PERCEPTION (2006)

Article Psychology, Biological

Call-based species recognition in black-capped chickadees

I Charrier et al.

BEHAVIOURAL PROCESSES (2005)

Article Computer Science, Artificial Intelligence

Automatic identification of music performers with learning ensembles

E Stamatatos et al.

ARTIFICIAL INTELLIGENCE (2005)

Article Psychology

Recognizing people from their movement

F Loula et al.

JOURNAL OF EXPERIMENTAL PSYCHOLOGY-HUMAN PERCEPTION AND PERFORMANCE (2005)

Review Behavioral Sciences

Thinking the voice:: neural correlates of voice perception

P Belin et al.

TRENDS IN COGNITIVE SCIENCES (2004)

Article Psychology, Multidisciplinary

Perceiving action identity - How pianists recognize their own performances

BH Repp et al.

PSYCHOLOGICAL SCIENCE (2004)

Article Psychology, Experimental

Recognizing one's own clapping: The role of temporal cues

R Flach et al.

PSYCHOLOGICAL RESEARCH-PSYCHOLOGISCHE FORSCHUNG (2004)

Article Psychology, Multidisciplinary

The perceived onset time of self- and other-generated actions

A Wohlschlager et al.

PSYCHOLOGICAL SCIENCE (2003)

Article Linguistics

Episodic memory for musical prosody

C Palmer et al.

JOURNAL OF MEMORY AND LANGUAGE (2001)

Article Acoustics

Melody lead in piano performance: Expressive device or artifact?

W Goebl

JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA (2001)

Article Psychology

Recognition of self-generated actions from kinematic displays of drawing

G Knoblich et al.

JOURNAL OF EXPERIMENTAL PSYCHOLOGY-HUMAN PERCEPTION AND PERFORMANCE (2001)

Review Behavioral Sciences

Individual differences in music performance

JA Sloboda

TRENDS IN COGNITIVE SCIENCES (2000)

Article Psychology, Multidisciplinary

Exaggerating temporal differences enhances recognition of individuals from point light displays

H Hill et al.

PSYCHOLOGICAL SCIENCE (2000)