4.5 Article

The rotation of cellulose synthase trajectories is microtubule dependent and influences the texture of epidermal cell walls in Arabidopsis hypocotyls

Journal

JOURNAL OF CELL SCIENCE
Volume 123, Issue 20, Pages 3490-3495

Publisher

COMPANY OF BIOLOGISTS LTD
DOI: 10.1242/jcs.074641

Keywords

Plant microtubules; Plant cell wall; Cellulose microfibrils

Categories

Funding

  1. BBSRC
  2. Gatsby Foundation
  3. National Agency for Research Project [ANR-06-BLAN-0262, ANR-08-BLAN-0292]
  4. European Union [NSET-CT-2004-028974, 037704]
  5. Agence Nationale de la Recherche (ANR) [ANR-08-BLAN-0292, ANR-06-BLAN-0262] Funding Source: Agence Nationale de la Recherche (ANR)

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Plant shoots have thick, polylamellate outer epidermal walls based on crossed layers of cellulose microfibrils, but the involvement of microtubules in such wall lamellation is unclear. Recently, using a long-term movie system in which Arabidopsis seedlings were grown in a biochamber, the tracks along which cortical microtubules move were shown to undergo slow rotary movements over the outer surface of hypocotyl epidermal cells. Because microtubules are known to guide cellulose synthases over the short term, we hypothesised that this previously unsuspected microtubule rotation could, over the longer term, help explain the cross-ply structure of the outer epidermal wall. Here, we test that hypothesis using Arabidopsis plants expressing the cellulose synthase GFP-CESA3 and show that cellulose synthase trajectories do rotate over several hours. Neither microtubule-stabilising taxol nor microtubule-depolymerising oryzalin affected the linear rate of GFP-CESA3 movement, but both stopped the rotation of cellulose synthase tracks. Transmission electron microscopy revealed that drug-induced suppression of rotation alters the lamellation pattern, resulting in a thick monotonous wall layer. We conclude that microtubule rotation, rather than any hypothetical mechanism for wall self-assembly, has an essential role in developing cross-ply wall texture.

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